I made my peace with music, recently.
We've always had quite an intense, turbulent relationship. I started playing the piano at the age of four, going on to complete a professional diploma in performance before I'd started university as well as Grade 8 in flute within four years of taking it up, and then earning Grade 8 singing within two years of taking proper lessons. I even ended up learning and taking a performance exam for the mbira at university. By the end of my musical education, I could play:
-Piano
-Flute
-Voice
-Guitar
-Lever harp
-Mbira
-Djembe
-Marimba
-Recorder/ tin whistle (beyond primary school level, that is)
I'd performed on each of these either as a solo or as part of a group at various and endless concerts and shows, and although the relationship was time-consuming and stressful (as many long-term relationships with anything can be), I thought the love would last forever.
Until the end of university, when I burned out.
The first sign was when my new piano tutor at university began to put pressure on me to work towards a second diploma. The way the Associated Board of the Royal Schools of Music works is this: you have Grades 1-8 (which everyone knows about), but afterwards there are three further levels of professional qualification: Diploma, Licentiate and Fellowship. It's not particularly for someone as young as I was to reach the diploma stage. So of course when I began my music course at university, my new tutor was eager to push me even further.
The problem was, though, that I was just so very tired of relentless examination. Playing the piano had always been a source of joy and escape for me at school, even at times of high pressure. At university, despite being used to pressure, it just stopped being fun. It started to just be all about Impressing People. Even worse, my new tutor was slightly dismissive rather than encouraging, telling me 'You won't be able to play that', or 'Oh, but everyone knows how to play that' (the latter after I learned a certainly-not-easy piece completely by heart in a week). I stopped feeling like the piano was my instrument, and started feeling like a delusional child.
I made the decision, much to my tutor's disgruntlement, not to continue to Licentiate level, and to focus on other areas of music.
The course I enrolled on was very 21st century music-orientated, which at first I thought would be interesting, but I very rapidly learned just wasn't my cup of tea. Having to write experimental abstract music felt like Monet might feel if someone dragged him to the Tate Modern and told him to be more like the artists there.
I clung to every unexamined performance, savouring every gig with my medieval band, taking in every moment with my African drumming group, revelling in every rebellious piece of music I played on the piano that wasn't what I was due to play in the next exam. Slowly, though, people in the groups I was in drifted away either graduating before me and moving elsewhere in the country or losing interest in playing themselves. The day the music proverbially died for me, though, was the day I handed in my last ethnomusicology assignment in my final year.
I loved ethnomusicology. I swear I was a stone's throw away from dreading my hair, wearing tie-dye and travelling the world in the name of music because of ethnomusicology (only I've always been too disgustingly middle class for that to ever happen. Although isn't travelling the world to spiritually find yourself a middle class thing?) Anyway, when it ended, so did my enthusiasm for music. All music thereafter was purely academic, and since music had always formerly been connected to my emotions, I became detached from it. After graduation the piano lid closed, the flute remained in pieces and my voice went back into hiding. My loving eighteen-year relationship with music had died.
Mourning was difficult. Everyone who had known me as an accomplished musician kept reminding me of that amazing concerto I performed in, or that time I sang a solo part for BBC youth choir of the year, or that gig where I only had a few days to learn twenty popular songs on the piano by heart, etc. etc. etc.
It felt a bit like the heartbreak of splitting up with your partner, but with everyone reminding you how great you were together. I tried to salvage the relationship, I really did. I tried going back to why I loved music, playing only music I enjoyed listening to. It didn't work: I put my fingers to the piano keys, and I dutifully played the notes, but that spark just wasn't there any more. Even worse, it felt too much like I was trying to reclaim my 'glory days'. I told myself that I knew from the very beginning that I'd never be a professional musician, and I admitted to myself that I'd never be the admired musician that I once was: those days were behind me. I moved on.
My creative nature, however, was still very much alive. Eventually I discovered my knack with words, and writing became my career. I started baking and decorating cakes as a hobby, discovered felting, started going to the gym and took up Mandarin evening lessons after work. Five years on, I've made good way in finding out who I am without music, having previously believed that music was all that there was to me.
I thought that the story had ended happily enough, until relatively recently.
I began to stumble across musicians and artists who reminded me that music can be fun- for example Pentatonix, who have successfully proved to the world that a capella can be awesome, and Steam Powered Giraffe, who perform as steampunk-style robots. I rediscovered old idols, from Imogen Heap to The Beatles. I started properly listening to music again. I started to sing along.
A few weeks ago, a friend posted on Facebook about a taster ukelele workshop, and something went 'ding' in my mind. I signed myself up, roped another friend in and went to the workshop last week. By the end of it I was smiling so much my face hurt. Yesterday I went to a ukelele shop, tried out a few, and bought one. I also signed myself up to regular group lessons, so I can play music with other people again.
Since since adopting my ukelele yesterday, the only times I've put it down are to bake and update my blogs (and you know, to sleep etc).
After all this time, I think my romance with music may have been rekindled.
Summary
'All the world's a stage'- and all of my shows are comedies. Welcome to my Wacky World, which is a collection of the mad, funny and sometimes slightly unbelievable things that happen to me.
Showing posts with label piano. Show all posts
Showing posts with label piano. Show all posts
Sunday, 22 June 2014
And the Ukelele Makes Ten
Labels:
being busy,
changes,
life,
music,
performing,
piano,
singing
Monday, 9 July 2012
Thigh-Deep in Floods and My Worst Nightmare (Part 2)
You'd have thought the bizarreness would have ended the moment we got out of the floods.
Part 2: My Worst Nightmare
I'll cut straight to the chase- my worst nightmare has always been, since the age of four (which was when I began learning to play the piano), going into a concert completely unprepared. The very thought of going out onto some sort of stage in front of an audience to play music whilst not knowing what on Earth I'm supposed to be doing breaks me out into a cold sweat. Because I am so, so organised as a person, I made sure this never, ever happened.
You can see where I'm going with this, can't you?
It all started a week earlier when Ruthie texted me asking if I was free to visit the following weekend (the weekend just gone by, now). Then as we were negotiating the timing of when I was coming and going, it turned out that Ruth was playing in a small concerty thing in a church on the Saturday night- after checking with her group, it was fine that I could come watch.
Four days before I was due to visit, I got a tentative text from Ruthie asking if maybe we could play something together- her on the violin, me on the piano. I was really enthusiastic- I haven't performed in ages! And it seemed we were to do a Spanish dance by De Falla- something I was already familiar with.
Of course though, when we got to hers and got the instruments out, it turned out that I knew a very different De Falla Spanish dance. And I'd completely overlooked the fact that I couldn't sightread on the piano to save my life, despite being a diploma-level pianist (the short unprepared study was hilarious when I did the exam). I can pick something up instantly on flute or voice, but give me something with two lines that I have to play with both hands on the spot for something over grade 4 standard and I'm pretty much useless. Neither of us can improvise, and in the end all we could do together was a short version of Bach's Ave Maria.
So in the end poor Ruthie played the guitar and sang instead of doing the show-stopping De Falla. And guess who had an hour to remember pieces of music I haven't played in years to play by heart, to now play solo?
Cold sweat.
We went to Ruthie's friend's house to do some last minute-rehearsal. They were going to pretty much finish the concert with the Sailor's Hornpipe, which is what always ends the last night of the Proms in London, if you've ever seen it. Everyone has a horn and goes 'honk honk' in the appropriate places. At the moment it was Ruthie on the violin and her friend's father on recorder- but then the idea emerged that I could play along on the piano at the same time. All I had to do was work out the correct chord sequence in five minutes.
Cold sweat.
I did just that, though. It wasn't hard- I've always been decent at harmonisation- but it was a bit daunting under pressure.
With that sorted, we went to the church (at which point Ruthie realised she'd left half her music back at her friend's). She was able to improvise though- and it wasn't so bad, because out first duty was to play the audience in as they grabbed a Pimms and began to settle down. Ruthie's friend's sister played the saxophone, followed by Ruth on her violin, both behind a screen to provide background music.
When it came to my turn, I realised that the piano was not behind a screen- it was in full view of everyone
Cold sweat.
I settled down and played I Giorni by Ludivico Einaudi (I can always fall back on Einaudi when in a pinch, and play it by heart). At first it was just pleasant background music. Then gradually, as I had dreaded and predicted, the room began to fall silent, bit by bit. Everyone must have though I was performing for real.
I heard a small patch of people doggedly keeping up conversation, and knew with gratitude it must be Ruth and her friends trying to keep up some noise for my sake (she told me later they had to stop because people were giving them dirty looks). In any case, I did what I did best (looked like I was cool and in control whilst I was bricking it inside) and finished with near-nonchalance. It was just about the right time to start the real concert by now, so at least I'd made a nice introduction I suppose. Just not one that I was prior aware of!
We all managed to do our stuff- it turns out that we weren't the only ones quite unprepared! However like true musicians, we pulled it off and the audience were none the wiser. I think. I even managed to do a rendition of 'Happy Birthday' with about twenty seconds' notice for someone in the audience. It was the last instrumental piece that put the king in the cake, though.
The sailor's hornpipe.
I noticed that there were a load of those party horns/ mini vuvuzela things around, and I realised that the audience really was going to participate and do the proper Proms honk-honking to the music. But how were we going to let the more inexperienced participants in the audience know when to start coming in?
And that was how I ended up playing the piano with a mini vuvuzela jammed in my mouth.
~Fin~
The Sailors Hornpipe
Part 2: My Worst Nightmare
I'll cut straight to the chase- my worst nightmare has always been, since the age of four (which was when I began learning to play the piano), going into a concert completely unprepared. The very thought of going out onto some sort of stage in front of an audience to play music whilst not knowing what on Earth I'm supposed to be doing breaks me out into a cold sweat. Because I am so, so organised as a person, I made sure this never, ever happened.
You can see where I'm going with this, can't you?
It all started a week earlier when Ruthie texted me asking if I was free to visit the following weekend (the weekend just gone by, now). Then as we were negotiating the timing of when I was coming and going, it turned out that Ruth was playing in a small concerty thing in a church on the Saturday night- after checking with her group, it was fine that I could come watch.
Four days before I was due to visit, I got a tentative text from Ruthie asking if maybe we could play something together- her on the violin, me on the piano. I was really enthusiastic- I haven't performed in ages! And it seemed we were to do a Spanish dance by De Falla- something I was already familiar with.
Of course though, when we got to hers and got the instruments out, it turned out that I knew a very different De Falla Spanish dance. And I'd completely overlooked the fact that I couldn't sightread on the piano to save my life, despite being a diploma-level pianist (the short unprepared study was hilarious when I did the exam). I can pick something up instantly on flute or voice, but give me something with two lines that I have to play with both hands on the spot for something over grade 4 standard and I'm pretty much useless. Neither of us can improvise, and in the end all we could do together was a short version of Bach's Ave Maria.
So in the end poor Ruthie played the guitar and sang instead of doing the show-stopping De Falla. And guess who had an hour to remember pieces of music I haven't played in years to play by heart, to now play solo?
Cold sweat.
We went to Ruthie's friend's house to do some last minute-rehearsal. They were going to pretty much finish the concert with the Sailor's Hornpipe, which is what always ends the last night of the Proms in London, if you've ever seen it. Everyone has a horn and goes 'honk honk' in the appropriate places. At the moment it was Ruthie on the violin and her friend's father on recorder- but then the idea emerged that I could play along on the piano at the same time. All I had to do was work out the correct chord sequence in five minutes.
Cold sweat.
I did just that, though. It wasn't hard- I've always been decent at harmonisation- but it was a bit daunting under pressure.
With that sorted, we went to the church (at which point Ruthie realised she'd left half her music back at her friend's). She was able to improvise though- and it wasn't so bad, because out first duty was to play the audience in as they grabbed a Pimms and began to settle down. Ruthie's friend's sister played the saxophone, followed by Ruth on her violin, both behind a screen to provide background music.
When it came to my turn, I realised that the piano was not behind a screen- it was in full view of everyone
Cold sweat.
I settled down and played I Giorni by Ludivico Einaudi (I can always fall back on Einaudi when in a pinch, and play it by heart). At first it was just pleasant background music. Then gradually, as I had dreaded and predicted, the room began to fall silent, bit by bit. Everyone must have though I was performing for real.
I heard a small patch of people doggedly keeping up conversation, and knew with gratitude it must be Ruth and her friends trying to keep up some noise for my sake (she told me later they had to stop because people were giving them dirty looks). In any case, I did what I did best (looked like I was cool and in control whilst I was bricking it inside) and finished with near-nonchalance. It was just about the right time to start the real concert by now, so at least I'd made a nice introduction I suppose. Just not one that I was prior aware of!
We all managed to do our stuff- it turns out that we weren't the only ones quite unprepared! However like true musicians, we pulled it off and the audience were none the wiser. I think. I even managed to do a rendition of 'Happy Birthday' with about twenty seconds' notice for someone in the audience. It was the last instrumental piece that put the king in the cake, though.
The sailor's hornpipe.
I noticed that there were a load of those party horns/ mini vuvuzela things around, and I realised that the audience really was going to participate and do the proper Proms honk-honking to the music. But how were we going to let the more inexperienced participants in the audience know when to start coming in?
And that was how I ended up playing the piano with a mini vuvuzela jammed in my mouth.
~Fin~
The Sailors Hornpipe
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